Rosendal Chamber Music Festival 2024
Photo: Liv Øvland
About Rosendal Chamber Music Festival
“A festival that is intimate and rich in personality, idyllic and profound”
Bayerische Rundfunk
The Rosendal Chamber Music Festival was founded in 2016 by pianist and Artistic Director Leif Ove Andsnes, who invites guest musicians and speakers to join him each summer for a long weekend of music-making. Set within the spectacular landscape of Baroniet Rosendal in west Norway, the remote location – surrounded by mountains, waterfalls and the sea – creates an ideal environment for an intense chamber music experience, drawing visitors from around the world.
Photo: Liv Øvland
With up to 10 concerts over four days, each festival explores a different theme centred around a particular composer or specific period, whilst accompanying lectures give additional insight to the musical life and arts of the time.
“One of the joys of creating a festival programme is that it allows you to focus in depth on a particular aspect of a composer’s life and music” says Leif Ove Andsnes. “In 2016, for the first Rosendal Chamber Music Festival we focused on 1828 – the year of Franz Schubert’s death which was also a year in which the composer wrote some of his most poignantly beautiful music.”
“For our second festival I put together a programme around another big passion of mine – the chamber music of Wolfgang Amadeus Mozart. Despite all the wonderful chamber music Mozart wrote, only a few pieces are regularly performed in festivals and so I wanted 2017 to be an intense Mozart celebration, showing the extraordinary diversity of his music.”
In the years to follow the focus has ranged from the poignant legacy of music written In the Shadow of War 1914-1918 (2018), to the life and times of Shostakovich (2019), the national identity of the music of Dvořák and his contemporaries in From my Homeland (2021) and the inner worlds of Ludvig van Beethoven (2022) and Johannes Brahms (2023).
Photo: Liv Øvland
Fellow musicians from around the world
“The idea for an intimate festival running over a long weekend grew from my love of Baroniet Rosendal” says Leif Ove Andsnes, who has been a regular guest at the Manor House, performing there for more than twenty-five years. “This is a very special place and music has been a part of its cultural life for generations. It’s incredible to think that artists and musicians have been crossing the fjord for over three hundred years and amongst them were apparently both Edvard Grieg and Ole Bull – our Bergen musical legends.”
Photo: Liv Øvland
Today Leif Ove Andsnes invites fellow musicians from around the world, who all make the same long journey across the fjord, to perform together in Rosendal. International guest artists who have appeared at the festival to date include pianists Kristian Bezuidenhout, Bertrand Chamayou, Kirill Gerstein, Marc-André Hamelin, Vikingur Ólafsson and Francesco Piemontesi, as well as Vilde Frang, Alina Ibragimova and Christian Tetzlaff (violin), Tabea Zimmermann (viola), Sol Gabetta, Clemens Hagen, Steven Isserlis and Christian Poltéra (cello), Sharon Kam and Martin Fröst (clarinet), Anna Prohaska and Dorothea Röschmann (soprano), Anne Sofie von Otter (mezzo-soprano), Andrei Bondarenko and Matthias Goerne (baritone).
Photo: Liv Øvland
Baroniet Rosendal
The history of Rosendal dates back to the 1650s, when the nobleman Ludvig Rosenkrantz arrived in Bergen as War Commissioner to the Danish-Norwegian King, Frederick III. There he met Karen Mowat, sole heiress to the largest fortune in the country at the time. They were married in 1658 and were given the noble estate Hatteberg as a wedding present. Here they built their home which they named Rosendal, a manor house in stone with a walled renaissance garden. It became the administrative centre of an estate of 500 farms and was given the unique status of the only barony in Norway by King Christian V of Denmark and Norway in 1678. The property remained in private ownership until 1927, when the last owner donated it to the University of Oslo. Today Baroniet Rosendal is a museum offering valuable insight into an important period of Norwegian History.
Photo: Liv Øvland
Festival locations
Alongside occasional performances in the manor house itself, the main location for the Rosendal Chamber Music Festival is Riddersalen (Great Hall) – a 400 seat concert hall, converted from a barn on the estate especially for the festival. Additional concerts take place in the white-washed 13th century Kvinnherad church, majestically perched on top of a hill overlooking the fjord.
”A chamber music festival rich and precious for the quality of the performers and for the depth of the themed programmes.”
La Repubblica
“The four day experience of this music festival is indescribable. With the backdrop of such wonderful scenery, the festival is somehow augmented by a deeper concentration of the theme and the high level of performance.”
Asia Music Weekly
Previous Rosendal Chamber Festivals
About
«Brahms kjente Beethovens skygge – ‘jeg hører alltid kjempens skritt bak meg’. Etter at vi i 2022 hadde Beethoven i fokus, føles det naturlig at vi i sommer vender oppmerksomheten mot arven etter Johannes Brahms.»
Leif Ove Andsnes
I 2023 satt Leif Ove Andsnes søkelyset på Johannes Brahms. Brahms’ rike og varierte kammermusikk har resultert i noen av sjangerens mest sentrale verk. I fire dager, 10.–13. august, hadde Andsnes med seg 25 gjesteartister i et tettpakket program med foredrag og konserter for å utforske Brahms’ ikoniske verk og sigøynermusikken som inspirerte ham. Festivalen løftet også frem György Ligeti, som ville ha fylt 100 år i 2023. Et av Ligeti-verkene på festivalprogrammet var Trio for fiolin, horn og klaver, som er direkte påvirket av Brahms’ egen trio for de samme instrumentene.
På scenen i august hadde Andsnes med seg musikerne og foreleserne Bertrand Chamayou, Roland Pöntinen og Yeol Eum Son (klaver), James Ehnes og Guro Kleven Hagen (fiolin) Ida Bryhn og Tabea Zimmermann(bratsj), Julia Hagen og Sheku Kanneh-Mason (cello), Dover Quartet (strykekvartett), Sharon Kam (klarinett), David Guerrier (horn), Håkan Hardenberger (trompet), Matthias Goerne (baryton), Henrik Mestad (skuespiller), Gunnar Danbolt (kunsthistoriker) og Erling E. Guldbrandsen (foreleser). Festivalen ønsket også velkommen Zum Roten Igel, et glimrende ensemble med navn etter vertshuset Det røde pinnsvin i Wien, der Brahms nøt både gulasj og sigøynermusikk.
Om Rosendal Kammermusikkfestival 2023 sier Leif Ove Andsnes at «Brahms’ musikk eksploderer ikke på samme måte som Schumann, Richard Strauss eller Wagner. Det er snarere som om den imploderer med subtil, men dyp, lidenskap. Mitt håp for årets program er at vi skal få oppleve spennvidden i Brahms’ kammermusikk; dramaet i klaverkvintetten, gleden i klavertrioen i C-dur eller i Magelone-sangene, den inderlige tristheten i klarinettkvintetten – et av de mest bevegende kammermusikkverker jeg vet om.»
«Fordi det ofte er et høstlig drag i Brahms’ musikk, har vi en tendens til å snakke om musikkens mørke og dystre karakter. Samtidig har den i seg så mye glede og indre ekstase. Jeg synes fiolinisten Isaac Stern sa det fint: ‘Om musikken hans reflekterer sol eller storm, et lykkelig øyeblikk eller et øyeblikk preget av sorg, ligger det alltid en grunnleggende optimisme i bunnen. Hvis Beethoven var forrevne fjell, høye topper og daler av manisk depresjon, er Brahms som havet: alltid til stede og evig trøstende.’»
“Med Rosendal Kammermusikfestival har Leif Ove Andsnes satt en standard som allerede i åpningsåret har gjort den til en av landets viktigste i sitt slag. Alle skyhøye forventninger ble i høyeste grad innfridd.”
Mona Levin / Klassisk Musikk
“In addition to the intelligence of its programming and the very high level of its performers, the festival benefits from what is often lacking in more upscale venues: authenticity and a truly magical atmosphere.”
Bertrand Boissard / Diapason Magazine
“Rosendal simply must be experienced.”
Ursula Magnes / Radio Klassik / Austria
“Mozart in paradise … Leif Ove Andsnes and a group of extraordinary musicians immersed themselves in the genius of the composer in a small but big festival in the wilds of Norway.”
Luis Gago / El Pais
"A festival that is intimate and rich in personality, idyllic and profound."
Kathrin Hasselbeck / Bayerische Rundfunk / Germany
“Intelligent formidling og enestående musikere får den klassiske musikken til å skinne i Rosendal.“
Emil Bernhardt / Morgenbladet
“The four day experience of this music festival is indescribable. With the backdrop of such wonderful scenery, the festival is somehow augmented by a deeper concentration of the theme and the high level of performance.”
Rudolf Tang / Asia Music Weekly
“Rosendalfestivalen solgte ut alle billetene på et par dager i vinter. Oppskriften er enkel: Kammermusikalsk kjernestoff, uten sviskeappell og med et modig innslag av samtidsmusikk.”
Lars O.Flydal / Vårt Land
“This is a Utopian place for Utopian musicians.”
David Nice / The Arts Desk
“Det er lenge siden jeg har sett fram til en festival så mye som Rosendal Kammermusikkfestival.“
Magnus Andersson / Klassekampen
A chamber music festival rich and precious for the quality of the performers and for the depth of the themed programmes.”
Leonetta Bentivoglio / La Repubblica
"Nivået på musikerne og den kløktige utformingen av konsertprogrammene gjør denne festivalen enestående …"
Eystein Sandvik / NRK Radio
“Ten concerts in four days in a spot of breathtaking natural beauty … This, in a nutshell, is the Rosendal Chamber Music Festival“
Matthew Gurewitsch / Classical Voice North America
In cooperation with
The Rosendal Chamber Music Festival extends deep thanks to Stiftelsen Kristian Gerhard Jebsen, whose meaningful financial support has made the festival’s ambitious artistic goals attainable.