Rosendal Chamber Music Festival 2020

Leif Ove Andsnes. Photo Gregor Hohenberg

Leif Ove Andsnes


The New York Times has called Leif Ove Andsnes “a pianist of magisterial elegance, power, and
insight,” and the Wall Street Journal named him “one of the most gifted musicians of his
generation.” With his commanding technique and searching interpretations, the celebrated
Norwegian pianist has won acclaim worldwide, giving recitals and playing concertos in the
world’s leading concert halls and with its foremost orchestras, besides being an active recording
artist. An avid chamber musician, he is the founding director of the Rosendal Chamber Music
Festival, was co-artistic director of the Risør Festival of Chamber Music for nearly two decades,
and served as music director of California’s Ojai Music Festival in 2012. He was inducted into
the Gramophone Hall of Fame in July 2013, and received honorary doctorates from New York’s
Juilliard School and Norway’s University of Bergen in 2016 and 2017, respectively.

A frequent collaborator with the New York Philharmonic, Andsnes is the orchestra’s 2017-18
Artist-in-Residence. In addition to chamber music and a solo recital of Schubert, Nielsen,
Sibelius, and Jörg Widmann at David Geffen Hall, this season-long tenure sees him join the
Philharmonic for Britten’s Piano Concerto under Antonio Pappano, Rachmaninoff’s rarely
programmed Fourth Concerto under Paavo Järvi, and Debussy’s Fantaisie with Edward Gardner.
All three concertos figure prominently in his programming this season: he also plays the Britten
with orchestras including the Tonhalle Zurich, Vienna Symphony, and Deutsches Symphonie-
Orchester Berlin; the Rachmaninoff with the Bavarian Radio Symphony and Bergen
Philharmonic; and the Debussy with the London Philharmonic Orchestra, Orchestre
Philharmonique de Radio France, Oslo Philharmonic, and New World Symphony. In recital, he
embarks on an extensive European tour to such key cities as London, Berlin, Leipzig, Vienna,
Madrid, Milan, and Amsterdam with a program featuring, among other works, a selection of
pieces by Sibelius. The Finnish composer’s unjustly neglected oeuvre for solo piano is also the
focus of Andsnes’s upcoming Sony Classical album release, which includes Sibelius’s own
arrangement of his famous Valse triste, excerpts from the popular Ten Pieces and early Six
Impromptus, and the expressive Kyllikki(Three Lyric Pieces). Besides joining baritone Matthias
Goerne for an account of Schubert’s Winterreise at the new Boulez Saal in Berlin, the pianist also
looks forward to summer 2018 chamber collaborations at Italy’s Incontri in Terra di Siena
Festival and the third season of his own Rosendal Chamber Music Festival in Norway.
Last season, Andsnes played Rachmaninoff’s Fourth Piano Concerto with orchestras including
the Berlin Philharmonic and Boston Symphony, Mozart with the Vienna Philharmonic and on
tour with the Norwegian Chamber Orchestra, and Schumann with Japan’s NHK Symphony,
where – for the second time in the prize’s 20-year history – he was subsequently named “Most
Memorable Soloist of 2016.” In recital, he embarked on his first solo tour of South America,
performing Sibelius, Beethoven, Debussy, and Chopin in Brazil and Chile, before reprising a
similar program for dates in Japan and South Korea; reunited with Matthias Goerne for
complete trios of Schubert song cycles in Paris and Brussels; and joined fellow pianist Marc-
André Hamelin for a substantial U.S. and European tour of music for two pianos that
the Washington Post called “a meeting of two champions at the top of their game.” A centerpiece
of their program was Stravinsky’s Rite of Spring, which is among the works they recorded for
release next season on the Hyperion label. Meanwhile, to conclude 2016-17, Andsnes presented
the second annual Rosendal Chamber Music Festival, which featured appearances by Anne Sofie
von Otter, Kristian Bezuidenhout, Christian Tetzlaff, Tabea Zimmermann, Martin Fröst, and a
host of other world-class guest artists in a celebration of Mozart’s chamber music.
Perhaps the Norwegian pianist’s most ambitious achievement to date is “The Beethoven
Journey,” his epic four-season focus on the master composer’s music for piano and orchestra,
which took him to 108 cities in 27 countries for more than 230 live performances. He led the
Mahler Chamber Orchestra (MCO) from the keyboard in complete Beethoven concerto cycles at
high-profile residencies in Bonn, Hamburg, Lucerne, Vienna, Paris, New York, Shanghai, Tokyo,
Bodø, and London, besides taking on further Beethoven collaborations with such leading
international ensembles as the Los Angeles Philharmonic, San Francisco Symphony, London
Philharmonic, and Munich Philharmonic. The project was chronicled in Concerto – A Beethoven
Journey (2016), a documentary by award-winning British filmmaker Phil Grabsky, and
Andsnes’s partnership with the MCO was captured on the hit Sony Classical three-volume
series The Beethoven Journey. The first volume was named iTunes’ Best Instrumental Album of
2012 and awarded Belgium’s Prix Caecilia, the second recognized with BBC Music’s coveted
“2015 Recording of the Year Award,” and the third hailed in a five-star review as “performances
of arresting maturity, stylistic acumen and utter delight” (Telegraph, UK). Issued together as a
boxed set, the series was chosen as one of the “Best of 2014” by the New York
Times and Süddeutsche Zeitung.
Andsnes now records exclusively for Sony Classical. His previous discography comprises more
than 30 discs for EMI Classics – solo, chamber, and concerto releases, many of them bestsellers –
spanning repertoire from the time of Bach to the present day. He has been nominated for eight
Grammys and awarded many international prizes, including six Gramophone Awards. His
recordings of the music of his compatriot Edvard Grieg have been especially celebrated:
the New York Times named Andsnes’s 2004 recording of Grieg’s Piano Concerto with Mariss
Jansons and the Berlin Philharmonic a “Best CD of the Year,” the Penguin Guide awarded it a
coveted “Rosette,” and both that album and his disc of Grieg’s Lyric Pieces won Gramophone
Awards. His recording of Mozart’s Piano Concertos Nos. 9 and 18 was another New York
Times “Best of the Year” and Penguin Guide “Rosette” honoree. He won yet another
Gramophone Award for Rachmaninov’s Piano Concertos Nos. 1 and 2 with Antonio Pappano and
the Berlin Philharmonic. A series of recordings of Schubert’s late sonatas, paired with lieder
sung by Ian Bostridge, inspired lavish praise, as did the pianist’s world-premiere recordings of
Marc-André Dalbavie’s Piano Concerto and Bent Sørensen’s The Shadows of Silence, both of
which were written for him.
Andsnes has received Norway’s distinguished honor, Commander of the Royal Norwegian Order
of St. Olav, and in 2007, he received the prestigious Peer Gynt Prize, awarded by members of
parliament to honor prominent Norwegians for their achievements in politics, sports, and
culture. In 2004-05, he became the youngest musician (and first Scandinavian) to curate
Carnegie Hall’s “Perspectives” series, and in 2015-16 he was the subject of the London
Symphony Orchestra’s Artist Portrait Series. He is the recipient of the Royal Philharmonic
Society’s Instrumentalist Award and the Gilmore Artist Award, and, saluting his many
achievements, Vanity Fair named Andsnes one of the “Best of the Best” in 2005.
Leif Ove Andsnes was born in Karmøy, Norway in 1970, and studied at the Bergen Music
Conservatory under the renowned Czech professor Jirí Hlinka. He has also received invaluable
advice from the Belgian piano teacher Jacques de Tiège who, like Hlinka, has greatly influenced
his style and philosophy of playing. He is currently an Artistic Adviser for the Prof. Jirí Hlinka
Piano Academy in Bergen where he gives an annual masterclass to participating
students. Andsnes lives in Bergen and in June 2010 achieved one of his proudest
accomplishments to date, becoming a father for the first time. His family expanded in May 2013
with the welcome arrival of twins.

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Festival Performances Year 2020

Beethoven: Piano Sonata No. 13 in C-sharp minor, Op. 27 No. 2 "Moonlight" (1801)
Paul Lewis (piano)

Beethoven: Bagatelle in E-flat major, Op. 126 No. 3 (1823-1824)
Leif Ove Andsnes (fortepiano)

Beethoven: Sonatina WoO 43 No. 1 in C minor (1796)
Avi Avital (mandolin), Leif Ove Andsnes (fortepiano)

Beethoven: Folk songs
Christiane Karg (soprano), Alina Ibragimova (violin), Christian Poltéra (cello), Kristian Bezuidenhout (fortepiano)


Beethoven: String Quartet No. 7 in F major, Op. 59 No. 1 (1806)
Quatuor Ébène

Jan Swafford and Leif Ove Andsnes in conversation on Beethoven and the festival programme (in English)

Beethoven: Piano Sonata No. 7 in D major, Op. 10 No. 3 (1798)
Kristian Bezuidenhout (fortepiano)

Beethoven: Adagio for Mandolin and Piano in E-flat major, WoO 43 No. 2 (1796)
Avi Avital (mandolin), Víkingur Ólafsson (piano)

Beethoven: Sonatina for Mandolin and Piano in C major, WoO 44 No. 1 (1796)
Avi Avital (mandolin), Víkingur Ólafsson (piano)

Beethoven: Piano Trio in B-flat major, Op. 11 (last movement: Tema con variazioni) (1797)
Björn Nyman (clarinet), Jakob Koranyi (cello), Leif Ove Andsnes (piano)

Ketil Hvoslef: Beethoven Trio (1997)
Björn Nyman (clarinet), Jakob Koranyi (cello), Leif Ove Andsnes (piano)


Beethoven: String Quartet No. 16 in F major, Op. 135 (1826)
Quatuor Ébène

Toru Takemitsu: Paths (in memoriam Witold Lutosławski) (1994)
Håkan Hardenberger (trumpet)

Beethoven: Große Fuge Op. 134 for piano four hands (1825)
Víkingur Ólafsson (piano), Leif Ove Andsnes (piano)

J. S. Bach transc. György Kurtág: 3 Chorale Preludes
Víkingur Ólafsson (piano), Jonathan Biss (piano)

Hindemith: Trumpet Sonata (1939)
Håkan Hardenberger (trumpet), Leif Ove Andsnes (piano)


Beethoven: String Quartet No. 14 in C-sharp minor, Op. 131 (1826)
Quatuor Ébène

Beethoven: Piano Trio No. 3 in C minor, Op. 1 No. 3 (1795)
Alina Ibragimova (violin), Christian Poltéra (cello), Leif Ove Andsnes (piano)

Lene Grenager: Quartet (2005)
Björn Nyman (clarinet), Guro Kleven Hagen (violin), Jakob Koranyi (cello), Leif Ove Andsnes (piano)

Beethoven: Piano Sonata No. 32 in C minor, Op. 111 (1821 - 1822)
Víkingur Ólafsson (piano)

Beethoven: Lieder
Christiane Karg (soprano), Leif Ove Andsnes (piano)


Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto (1811 - 1812) arr. Hummel (c.1830)
Ingrid Søfteland Neset (flute), Alina Ibragimova (violin), Christian Poltéra (cello), Leif Ove Andsnes (piano)

Marius Neset: New Work
Ingrid Søfteland Neset (flute), Marius Neset (saxophone), Christian Poltéra (cello), Leif Ove Andsnes (piano)

Beethoven: Piano Trio in E-flat major, Op. 70 No. 2 (1808)
Alina Ibragimova (violin), Christian Poltéra (cello), Jonathan Biss (piano)